What if you are living someone else’s life, someone else’s story? Someone else’s WAR. Only you just didn’t realise it? And what has all this got to do with the connection between singer Elvis Costello and English Civil war figure, Oliver Cromwell? I answer these questions in my latest video on YouTube.
Digital Wisdom as I define it comprises three parts. The first is“know thyself;” the second “know the humans;” and the third is “know the machines.” Individuals, organisations and societies can work at developing these three domains to cultivate Digital Wisdom personally and collectively
The date was September 16, 2017. The era: Trump’s America. That was the day that a group of Trump supporters assembled for “the Mother of All Rallies Patriot Unification Gathering” at the National Mall in Washington, DC. As was typical of the times, they were met by counterprotesters from Black Lives Matter, numbering 82 in total, who proceeded to shout at them. The Trump supporters shouted back. One individual onstage told the Trump supporters to ignore the hecklers, crying “They don’t exist!” Some might see something symbolic of the historical era in that statement.
It is the human predisposition towards drama and projection that underpins much of our suffering – our need for drama. I define drama as the “irresponsible emotional manipulation of others with the aim of establishing a personal agenda.” Drama is rewarding to the ego because it grants an opportunity to get what one wants in situations where the ego feels that it either has no real power, or when it does not want to pay the price for embodying genuine strength. That cost may vary, but always involves taking personal responsibility.
The good faith inventory I include below is a simple way of assessing the degree to which a person, group or movement is acting in good faith or bad faith. By their fruits, ye shall know them. You can use this simple inventory in deciding whether to allow yourself to be emotionally or mentally taken into the cognitive wake of a particular person, debate, social/political movement, media channel or organisation. You ask yourself these questions. The answers are subjective, of course. Just answer them in good faith, so to speak. Each question has two options. Circle the left-hand column number if it is a positive, the right-hand number if it is the negative. Circle the question mark if you are undecided or neither applies. Then add up the total score.
We are not alone, but deeply connected with each other, an effect of nature that transcends our virtual connections on the net. Our future online systems – and societies in general – should attempt to help us retain this nature effect, and especially the experience of wonder and awe. If they do not, we may lose something priceless: our Authentic Selves.
Research indicates that when we employ our peripheral vision, our sense of presence, awe and wonder increases. We relax, gain a deeper perspective of our place in time and space and our capacity for spatial memory improves. We become more positive about the future and the jigsaw of life begins to piece itself together. Thus, as our gaze habitually collapses outward while peripherally constricting, we lose touch with the human spirit.
South African author and lion tracker Boyd Varty learned early the deep knowing which life seeks to instil within each of us: that there is something profound which transcends and connects our discrete human minds.[ii]
Varty’s tale of the terrifying involves a single night, set in time a moment or two following the initial post-apartheid elections in South Africa, when chaos and violence were common bedfellows across the troubled nation.
A bird sitting in a tree is never afraid of the branch breaking, because her trust is not on the branch, but on its own wings.” Denzel Washington. It is not possible to create perfect systems. We can simply aim for better. And given that our systems and institutions will inevitably fail us sometimes, it…
Our time spent online is increasingly being eaten by forces that care naught for our authentic selves. The web is mostly a world of projection and drama, where hyperbole, fear and catastrophic narratives are pumped into us, such that our consciousness can be fed into their machines. Much of the internet is the imaginal gone wrong. The more we bury ourselves in that, the more lost, angry and alienated we become; because we have unwittingly betrayed our authentic selves. Because we have betrayed our own spirit.
Learning to listen to the heart may take a lifetime. Even longer. Or just a moment.
In Ginsberg’s rendering of the Machine, our intrinsic joy or “Heaven” has been consumed by the ravenous Moloch, along with our innate spirituality and embodied presence. We have become “loveless,” chasing “unobtainable dollars” like dumb mules stumbling towards carrots on a stick, not seeing what lies beyond the desirous thing dangling immediately before us.